That’s a wrap!

Yesterday was our last day of principal photography for “Deadgirl”, in Santa Clarita. We’ll shoot some B roll tomorrow and should have some pick-ups in a month or so.

PS: This is Matt, the camera intern, very well equipped, isn’t he!

Back to the… Origin

For the exteriors of the High Shool of Deadgirl that we shot last week-end, we used the new Dalsa “Origin”, which has a 4K resolution. Its look, size weight are quite… unusual and make this camera not very friendly to use, especially when all the shots are handheld! We went back to the Viper with a big smile on our faces.

PS: I hope you like my cowboy hat, pretty useful when it’s over 100F 🙂

“Deadgirl”

Deadgirl is a low budget feature from the producers of Hellraiser.

We just finished shooting our first week, which went pretty well considering that we are among the first ones to use this very new configuration: The Thompson Viper with Digi-Primes and the Codex, a high-resolution digital media recording system, designed to capture moving images and sound from high-definition digital motion picture cameras. The footage is recorded live and raw on 2 diskpacks and backuped during the day to an external Ciprico harddrive, which is sent every evening to Dalsa for processing. You can visit their website here.

We spent more of our time in the very dusty basement of Buena Vista Lofts, a former hospital, downtown. We are wearing masks all day and the movie will be almost 100% handheld… It’s a good work-out 😉 Tomorrow, we will be in North Hollywood for two days and will be using the new Dalsa “Origin” camera…

The music video “Elephant Gun” is out

My first post on this blog will be to invite you to have a look at the new Beirut’s music video, which came out just a couple of days ago. I worked on it as a jib operator in March and I am really proud of it. I think the director Alma Harel really succeeded in capturing the floating and nostalgic atmosphere of the song. Bravo 🙂